4

          In a superb visionary feat the Mother located the ascending entry into the room in such a manner that when the author of The New Way discovered Sri Aurobindo’s symbol in the Shalagrama several years later (1976), and the occult relationships we have described in these pages, that now defunct stairway revealed an extraordinary correspondence to the entry to the Giza Pyramid. With Sri Aurobindo’s new symbol, since its proportions are the same as the Great Pyramid, the Mother’s yogic feat has drawn ancient Egypt into her chamber. This is easily verified in the above drawings which bear the precision the Mother required to allow for these correspondences. This exact correlation involving sacred architecture, separated by thousands of kilometres and thousands of years, is one more example of the magnitude of the Mother’s visionary greatness.
          However, this greatness could not be carried on the Auroville website because the public would question why that remarkable connection with the Great Pyramid is not to be found in the Auroville Matrimandir. The powers-that-be are careful to misuse and desecrate only to the extent that the reader or viewer cannot detect the deception by comparison with what stands on the ground, where there is no ascending 15-step stairway. The above diagram would make the truth obvious. Instead, another diagram has been carried on the website, also from The New Way (Vol. 2, p.458), but again without acknowledgment. It describes a 110cm band at the intersection of Sri Aurobindo’s two triangles. The point of that diagram is to highlight a ‘sensitive’ area for the individual seated in the chamber. But this too is false because no such band of 110cm exists since Sri Aurobindo’s symbol does not ‘exist’ in the Shalagrama due to the changed measurements and the lack of the necessary precision.
          Why have Mona Doctor and the Auroville Governing Board done this? Obviously correct references could not be provided because these two chapters of The New Way, 11 and 12 of Volume 2, expose the truth: that the original plan does not figure in the Auroville Matrimandir; hence, neither do the relationships of Mona Doctor’s thesis hold. Indeed, these were the very diagrams used in the book to provide the definitive proof of what was lost.
          Even the Golden Section Mona Doctor makes so much of in the website article is not a new discovery regarding the Great Pyramid. It follows that if the proportions of the Pyramid and Sri Aurobindo’s symbol triangles are the same, that Golden Section pertains to both. The question to ask is, where is Sri Aurobindo’s symbol in the Auroville Matrimandir? More importantly, what relevance does the Golden Section have to the Mother’s Vision? To be frank, not much at all; and certainly nothing that can compare to the new revelations which are indeed of the utmost relevance. All are free to have their own experience and follow their own preferences, but why focus on the past when the present in the Mother’s Vision is of such greater beauty and importance for us today?
          Lacking the yogic capacity to make these discoveries in the Mother’s Vision, for the past 14 years, Mona Doctor and her ilk have been left free to pass them on as their own, to hold themselves up as ‘authorities’ in sacred architecture, and to make devotees and disciples of the Mother and Sri Aurobindo believe that what has been built in Auroville conforms to this body of higher knowledge, the most sacred treasure of geometry the world has known to date. In the same way that the Mother’s Vision itself was treated during the infamous 18-day fruitless struggle, so too has the Knowledge content of her Vision, as preserved in these diagrams, been similarly desecrated.

Next Page 1 2 3 4 5 6 7