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5
For only
when the geometry is faithful to this inner measure can the Shalagrama bear the correct
proportions with a horizontal 36m and a vertical of 28.80m.
From The New
Way, Vol. 2,
Chapter 11, p.433,
The Inner and Outer
Harmony,
Aeon Books, 1981
Added to the vertical are 30cm at the top and 30cm below to close the
three Shalagrama circles and seal the form, indicated by the dotted
lines in the diagram on page 3. We then have 29.40m, the sidereal ‘year’
of Saturn, ruler of India’s zodiacal sign Capricorn. In future
Chronicles this will be explained in full when the chamber is given dynamism,
like a carousel that is set in motion.
The
true measure, the Divine Maya, moves from inner to outer, be this in
the Rishis’ vision or in truly sacred temple architecture. But since
the Matrimandir architects and builders refused to incorporate the
correct room diameter, as the Mother so clearly specified, that divine
Measure does not exist in what they have constructed. The harmony
between inner and outer has been lost there forever.
Had
the community respected the boundaries that Supermind determined, with
specified tasks allotted to all the participants, the desired integration
of inner and outer would have occurred. As things stand, though the
correct measurements seem to have been adopted for the outer shell of
the temple, they bear no relation to the inner chamber. It, in turn,
cannot ‘support’ the outer since the ‘skeleton’ that the room must
provide by its perfect measurements does not exist. The entire exercise
has been a pathetic waste.
There is something else that has been lost of perhaps greater
importance. It concerns the very nature of the geometric forms involved
in both inner and outer structures. Regarding the latter, it is
essential to note that true to the Divine Principle the Mother
embodied, the Shalagrama is a feminine form, unlike the angular
shapes, - i.e., pyramids, squares, rectangles, and so forth. This is
fully in keeping with the Avataric mission of this 9th
Manifestation.
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